Short of the Week

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Drama Caroline Bartleet

Operator

An Emergency Services Operator battles to save a young mother and her son from a house fire in this tense 2016 BAFTA-winning short

Play
Drama Caroline Bartleet

Operator

An Emergency Services Operator battles to save a young mother and her son from a house fire in this tense 2016 BAFTA-winning short

Operator

Directed By Caroline Bartleet
Made In UK

Less than two months after scooping the highly prestigious ‘British Short Film’ award at the 2016 BAFTAs, Caroline Bartleet dramatic 7-minute short Operator makes its way online. The tense tale of a fire control room telephone operator and her attempts to save a young family from a blaze in their home, as a viewer of this dramatic short you’ll face an anxious wait as Emergency Services rush to help a trapped mother and son.

Kickstarter funded and shot over two days in London, the script for Operator was based on an actual 999 call that terrified director Bartleet upon hearing it. “It became clear straightaway that the story would make a powerful film”, she admits in a statement on the film’s website, “we could really bring to the audience’s attention what an amazing job the operators do, remaining calm and composed in such stressful situations”.

Set entirely in the control room where the titular operator works, the success of Bartleet’s film relies heavily on two performances; those of Katie Dickie (Game of Thrones, Prometheus) and Vicky McClure (This is England, Broadchurch). Dickie is calmness personified as the Emergency services worker and truly displays the confidence you would hope to find from someone in this position. While McClure, off-screen for her entire role, perfectly portrays the panic a parent would feel if their child was in grave danger, her performance adding the essential sense of dread needed to make the film so tense.

Though it feels like Operator may end a little flatly and as a viewer you might expect a stronger resolution, the film’s conclusion makes perfect sense in context to the story – where the focus is firmly on the job of the operator, not the person in need of rescue at the end of the phoneline. Having scooped pretty much the biggest short film award available in Britain, it’s great to see Operator online so soon after picking up such a prominent prize. We’ll be waiting eagerly to see what Bartleet does next after experiencing such success with her first film as a director, if you want to follow her work more closely you can find her on Twitter at @carriebartleet