Short of the Week


Written, starring and directed by Vin Diesel this 1995 short film gave the future action star his break. Playing a largely autobiographical role, we see the struggles of a young actor.

What? A Vin Diesel short film? I know what you think, this is a cheap traffic grab, coinciding with today’s opening of Fast Five in theaters. Hey, I won’t pretend that the timing is accidental, but for all you cineastes and snobs who don’t respect Vin Diesel, you need to check your biases at the door—Multi-Facial is an AWESOME short film.

As a struggling actor in the early 90′s, Vin Diesel couldn’t get any jobs. So he went in a time-honored direction for out-of-work thespians—he made his own film. It was a pretty successful move too. The film played Cannes in 1995, and based largely on the impression the short made upon Steven Spielberg, Diesel was able to land his star-making role in Saving Private Ryan.

Written, directed and starring Vin, Multi-Facial is substantially auto-biographical, as the 18min short film serves as a meta-commentary on Diesel’s attempts to break into the biz. The title is a play on words; Multi-Facial=Multi-Racial, and the plot is comprised mainly of Diesel going to acting auditions and failing to be considered for gigs due to not meeting some form of type-casting criterion. Coming from an Italian/Black ethnic background Diesel finds himself at the distinct disadvantage of  not being dark enough, or gangsta enough, or guido enough for whatever role he auditions for. Despite his impressive musculature, Diesel desires to be taken seriously, and tries to impress with his range and commitment to the craft. Ultimately, to his frustration, he finds that casting directors of commercials and music videos don’t rate such ambitions very highly.

A fascinating look at tribulations of a struggling actor, Multi-Facial is also an impressive piece of filmmaking. The film begins with a cold open monologue. Just like a real audition, you know very little, but Vin is flexing his skill for you, wanting, trying to impress. You don’t see the casting folk, so in a way Vin is auditioning for us, wanting to wow you into having interest in the film.  But at the same time, that’s not actually the goal, the camera is off to the side, the performance directed offscreen. It is a clever shot, the absence of the clients makes it as if Diesel is performing for us, however the framing of the shot establishes us instead as flies on the wall,  getting documentary access to events within the story.

This is not an isolated moment. Each of the individual set pieces has its own humor and raison d’etre. Told he isn’t dark enough for a Black roles, Vin IS brown enough to be Hispanic. He’s sent to audition for a role, but doesn’t speak Spanish. He references Pacino multiple times in the film, usually complaining that Pacino wouldn’t do a commercial, or a soap, but thrown into this scene that he is superficially right for, but has no background in,  he is reduced to comic outlandishness, aping Pacino circa Scarface.

The closing audition is unexpectedly emotional, and effortlessly, organically, concludes the themes built up throughout the film. A great showcase for Diesel, the film works amazingly well cinematically, making it one of the great short films on acting ever made.

Watch the Short Film on YouTube:

Part 1

Part 2

Co-Founder of Short of the Week, Sondhi lives in Brooklyn working as a Curator for Vimeo. Follow his musings on online video, direct distribution and branded content: @jasondhi.
  • Deborah

    Having heard of “Multi-Facial” over the years, I was really happy to be able to see it through this site. And I was really pushed to the edge of my comfort zone. I’m an actor- I *know* that this is the way it works. Yet when he said “I appreciate the honesty” to the casting guy… there was a huge knot in the pit of my stomach, the same way it is for me at EVERY audition, ever. I appreciate the honesty, too… but… it still stinks, every time to be told that it doesn’t matter how good you are, how right you are in every other way; that first impression of FACE/BODY is what overwhelms everything else.
    So the truthfulness of this situation really comes out in the film. The aphorism of “Write what you know” is taken to heart here and crafted into a lovely gem instead of a pontifical rant.

  • Jason Sondhi

    Thanks for the thoughts Deborah. I’m not an actor, so I can only imagine the frustrations. I felt as though the film was true, but its good to receive confirmation.

  • Felonious Punk

    I initially skipped watching this, since the action-movie stigma on Vin Diesel was too strong for me to check my biases at the door. Luckily, the dialogue above gave me the extra nudge I needed. I’m happy I saw it. The soundtrack was great! Everything about it was great. I sure hope Diesel is happy in life, because I’m not happy with the way his career has progressed. I want more works in this vein, a sequel perhaps. Wow. Who knew? I mean, besides action fans.

  • Daniel Bottoms

    Very cool, This is the best acting I’ve seen from Diesel. Too bad he doesn’t get or seek films that allow him to show his craft better.

  • butles.

    Very strong message. But I think Vin has crafted his career pretty much the way he wanted it. He has chosen a rather diverse series of roles but altimatly it is the public who choose your destiny in this business and its obviously action is where they want him to be.  But even just considering the action based films, he is a fine actor.

  • William Gary

    I really liked both films, I was there with Vin going on the auditions.

  • Adrian

    Totally agree. I’d love to see him do something else than exploding car films.

  • Adrian

    Totally agree. I’d love to see him do something else than exploding car films.

  • Doug Dalton