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	<title>Short of the Week &#187; India</title>
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	<link>http://www.shortoftheweek.com</link>
	<description>Your Weekly Ticket to the Best Online Short Films</description>
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		<title>Little Terrorist</title>
		<link>http://www.shortoftheweek.com/2009/07/13/little-terrorist/</link>
		<comments>http://www.shortoftheweek.com/2009/07/13/little-terrorist/#comments</comments>
		<pubDate>Mon, 13 Jul 2009 21:08:38 +0000</pubDate>
		<dc:creator>Jason Sondhi</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[India]]></category>
		<category><![CDATA[Life & Society]]></category>
		<category><![CDATA[Live-Action]]></category>

		<guid isPermaLink="false">http://www.shortoftheweek.com/?p=1642</guid>
		<description><![CDATA[In this Oscar-nominated short film a young boy is caught on the wrong side of the India-Pakistani border. The film presents the common humanity on both sides as well as the danger in the middle. ]]></description>
			<content:encoded><![CDATA[<p><em>Little Terrorist</em> is a film whose solid production values and ethnographic details elevate a rather formulaic story. Jamal, a young Muslim boy in a Pakistani border town, crosses into an Indian minefield after the village cricket ball passes through the barbed-wire fence. Hunted by border security, he encounters an Indian Brahmin. From there a classic moral conflict arises&#8211;should the man help the boy evade security, or wash his hands of him?</p>
<p>What I liked was the professional look and feel of the piece, which was accomplished famously through a volunteer crew recruited from the &#8220;Shooting People&#8221; online film community in the UK. Ashvin Kumar, the director, was a student at a London film school but dropped out, and there is a decidedly Western sensibility to his style. At the same time he is comfortable incorporating Indian crew and non-actors into the work,  and with shooting in remote areas of Rajasthan, such as he did with this short film.</p>
<p>This leads to a cinema-verite approach that I enjoyed, as the details of village life are documented in a standard continuity style, but with little artifice. The risk of the film is that in celebrating a one-world, one people agenda it collapses real and troublesome difference. To fight against this tendency, minor, unexplained aspects of the characters interactions&#8211;the issue with the plate for instance&#8211;are included to highlight the very real cultural-religious divide between these two countries which had been one, without diminishing the ultimate message of the short film.</p>
<p><em>Little Terrorist</em> is part of the relatively recent trend of British-Indian film collaborations that should only grow more in the wake of <em>Slumdog Millionaire</em>. Kumar&#8217;s Indian background puts him in a good position to capitalize on said trend, and hopefully influence Indian filmmaking as well. Alluded to somewhat in this <a href="http://www.brokenprojector.com/wordpress/?p=17">interview with Kumar</a>, India, though well documented as the most prolific filmmaking country in the world, does not have much of an indie or art-house cinema per se. Formulaic offerings from the dominant production houses out of Bollywood are unusually dominant. An Oscar is a big deal though, and I&#8217;ve read more than one article about how the 2004 nomination of  <em>Little Terrorist</em> coupled  the rise of India&#8217;s middle class and the falling price of digital technology has stimulated a growing experimental and short film culture in India. I look forward to seeing the fruit of that in the future.</p>
<p><strong>Note: There is about 30 seconds of black header in front of the google video file.</strong></p>
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